From Reaffirming to Challenging Traditions: A critical comparison of The Last Exorcism and The Last Exorcism Part II

Christopher Olson and I presented our first analysis for the exorcism cinema project at this year’s Midwest Popular Culture Association conference. We subsequently wrote the presentation as a paper that would go in a book we are developing. We just submitted the book proposal last night, and now this morning you can read this analysis […]

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Feminist Tensions in The Last Exorcism and The Last Exorcism Part 2

At the Midwest Popular Culture Association‘s 2014 conference, Chris and I presented the first analysis from our exorcism cinema project. The presentation is titled: Feminist tensions in exorcism cinema: Case study analysis and comparison of The Last Exorcism and The Last Exorcism Part II. What follows are the notes for the presentation, which constitute an […]

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Blackwater Valley Exorcism: Equating Demonic Possession with Sexual Assault

When The Exorcist (1973) was first released, it spawned numerous foreign rip-offs and B-movie exploitative versions.  From Şeytan (1974) in Turkey to the reworking of the Italian film ‘Lisa e il diavolo’ (1974/1975)into The House of Exorcism, foreign producers created their own takes on the story of young women being possessed, with more or less […]

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Fantasy, Fairy Tales, and Female Sexuality in Spirited Away, Pan’s Labyrinth, and Coraline

Christopher J. Olson presents his MPCA 2013 Conference talk on the portrayals of girls exploring their emergent sexuality in the coming-of-age stories Spirited Away, Pan’s Labyrinth, and Coraline.  The films’ depictions of the girls’ experiences present positive representations for girls to embrace their agency, their sexuality, and their identity. via Fantasy, Fairy Tales, and Female Sexuality […]

Read More Fantasy, Fairy Tales, and Female Sexuality in Spirited Away, Pan’s Labyrinth, and Coraline