Updating Exorcism Cinema List

A year ago, Christopher Olson and I published a book on the representation of exorcisms in cinema. Possessed Women, Haunted States: Cultural Tensions in Exorcism Cinema (November 2016) was a comprehensive analysis of films across time and culture for the common themes surrounding who was the possessed and who was the exorcist. This analysis concluded […]

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Gendering Hatsune Miku

Christopher Olson (Seems Obvious to Me) and I have been working on our concept of the networked gender, building off the concept of the networked self to understand the co-constructive nature of gender identity. We will be publishing a piece on using this concept to look at BMO in Adventure Time, and this represents our […]

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Gendering Robots: A Class Discussion

The next research project I hope to work on looks at how people make sense of robots. I am particularly interested in how people apply gendered assumptions and attributions to robots or artificial agents, and how apply those assumptions then impact how people engage with robots. In a sense, robots have become another medium as […]

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Exorcism Cinema Book Published

Here it is! The Tensions in Exorcism Cinema project began in 2013, when my partner Christopher J. Olson (Seems Obvious to Me) and I watched the film The Possession and noted how common it seemed for women to be the victim of possession who needed to be saved through exorcism. We wondered, is that true of […]

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The Pop Culture Lens on Yojimbo (1961)

In the twenty-seventh episode of The Pop Culture Lens podcast, Christopher Olson and I welcome back friend of the podcast Joe Belfeuil to discuss Akira Kurosawa’s samurai classic Yojimbo (1961). In this episode, the conversation focuses on the film’s position as a transnational and transcultural pop culture text that acts as a link in a […]

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Cross-Gender Fandom

We understand a fan to be someone who’s affection for a media product to be above and beyond that of the rest of the audience (Jensen, 1992a, b). This affection involves higher and more various ways of engaging with the media product than others would exhibit. A common question in fan studies asks if this […]

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