Tensions in Exorcism Cinema

This page contains the links for all of the posts published on this blog referencing the Tensions in Exorcism Cinema project.  This project utilizes various critical theories (e.g. feminism, Marxism, post-colonialism, post-modernism, queer theory) to scrutinize the representation of possession and exorcism in film depictions.

This project has culminated in the book Possessed Women, Haunted States: Cultural Tensions in Exorcism Cinema from Lexington Books: https://rowman.com/ISBN/9781498519090

There appear to be at least five clusterings of movies that make up exorcism cinema: Pre-Exorcist Series, The Exorcist Series, 1970s Exploitations Series, Modern True Movies Series, and Modern B-Movies Series.

Thus, this page organizes the writings on this project and can be used to locate and jump around these writings.

11 responses to “Tensions in Exorcism Cinema”

  1. […] am currently collaborating on a project with Dr. CarrieLynn Reinhard of Dominican University, in which we propose to examine the feminist […]

    Like

  2. The Chillerpop Exorcist Retrospective | Chillerpop Avatar

    […] you know what?  Many fine minds are weighing in – from this excellent podcast, to this academic who, to my delight, is providing analysis and criticism on the recent wave of exorcism themed […]

    Like

  3. Pop Culture Pilgrimage – It's Playing, Just With Research Avatar

    […] they filmed the greatest horror movie of all time (and, of course, the basis of our work on the tensions in exorcism cinema). Seeing those steps was worth the trip […]

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: