The Pop Culture Lens on Yojimbo (1961)

In the twenty-seventh episode of The Pop Culture Lens podcast, Christopher Olson and I welcome back friend of the podcast Joe Belfeuil to discuss Akira Kurosawa’s samurai classic Yojimbo (1961). In this episode, the conversation focuses on the film’s position as a transnational and transcultural pop culture text that acts as a link in aContinue reading “The Pop Culture Lens on Yojimbo (1961)”

Sukiyaki Western Django as a Representation of Transcultural Identity

Christopher J. Olson discusses how our globalized pop culture is resulting in new transcultural films where the directors act as DJs, remixing different cultures for completely new experiences.  This paper is the most recent draft of the presentation he will be giving at the PCA Conference in Chicago this upcoming April, 2014. via Sukiyaki WesternContinue reading “Sukiyaki Western Django as a Representation of Transcultural Identity”

The Whats, Hows and Whys of Film Spectatorship

Earlier this month, Christopher Olson and I presented at the 2013 SCMS conference work I started in my graduate school and he is helping me finalize and expand.  These are some preliminary thoughts about approaching the study of how spectators engage with films. Answering the Whats, Hows, and Whys of Film Spectatorship from Dominican UniversityContinue reading “The Whats, Hows and Whys of Film Spectatorship”

The Whats versus Hows of Film Spectatorship

[What follows is a 2007 paper I wrote for a graduate level course on film studies.  It was this paper that started me thinking about what I’ve come to term minutia reception studies.  I’ve edited the paper for length, and I’ve included a picture of the reception worksheets my brother filled out as part ofContinue reading “The Whats versus Hows of Film Spectatorship”