Academic Thoughts on Hentai

And hentai texts serve as ways to reaffirm this dominion of man. Hentai women are created for the sole purpose of male survey. They are true fantasy, existing nowhere but in the imagination of man and his subsequent depictions of his imagination – she is simulacrum. Being man’s creations, they are to serve man’s desires, including the desire to be reassured that man remains in control and that woman prefers this power dynamic. The rape myth, a common hentai and real-life porn text, straightforwardly portrays this anxiety. Women are forced to have sex by a man (or numerous men), and although she initially indicates her intense displeasure with this relationship, at the end she is thoroughly enjoying the forced sex and, by extension, the dominion man has over her. Man as creator/reader is reassured that women prefer to lack the phallus, and that they desire a lot of it (in penis form) from man. Woman’s pleasure comes from man for man, and by being drawn creations, of man.

An Encoding-Decoding-Recoding Model of Media Studies

This blog posts continues the dissection of my dissertation that I began by introducing the topic of gendered media engagings earlier this year. This post focuses on a model I used in my dissertation to understand the array of media studies conducted to investigate the ways in which gender is involved in how people engage…

The Study of Gendered Media Engagings (Part 1): Defining Gendered Media Engagings

The following is how I began my dissertation, “Gendered media engagings as user agency mediations with sociocultural and media structures: A Sense-Making Methodology study of the situationality of gender divergences and convergences.”  The discussion focuses on defining the concepts studied in the dissertation, focusing on the research topic of gendered media engaging.  The results of…

The Whats versus Hows of Film Spectatorship

[What follows is a 2007 paper I wrote for a graduate level course on film studies.  It was this paper that started me thinking about what I’ve come to term minutia reception studies.  I’ve edited the paper for length, and I’ve included a picture of the reception worksheets my brother filled out as part of…

Ugetsu, Intertextuality, and the Western Spectator

I want to start off by taking what may be a radical position on how I am conceptualizing film or really any media text.  I’m going to take the position of stripping these texts of their accoutrements, designer labels like “entertainment” versus “new” or “high culture” versus “low culture,” and instead I am going to…