Tag: interpretation

• The Four Paradigms in Spiral Form

  

  Subtitle: A positivistically constructed model to critique dominant design with a postmodern flair This was a group project from a class with Patti Lather at OSU in 2005 that I completed with Carrie Hung, Hana Kang, and Yongfang Zhang. I look at it now and think it’s so twee! In looking at the four research […]

  CarrieLynn D. Reinhard

  January 14, 2021

  Communication Studies, Critical/Cultural Studies, Higher Education, Research Method(ology)s

  constructivism, constructivist, critical, critical theory, deconstructivism, deconstructivist, discipline, ideology, interpretation, metaphors, paradigmatic dialogue, paradigms, phenomenology, philosophy, positivism, positivist, post-modernism

• Making Sense of Cinema Anthology

  

  Edited by Christopher Olson (Seems Obvious to Me) and myself, Bloomsbury Academic will release Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship on February 25, 2016. Making Sense of Cinema is an anthology collecting empirical studies that display different methods for studying real film spectators engaging with real films. Film studies has […]

  CarrieLynn D. Reinhard

  January 18, 2016

  Audience/Reception Studies, Film Studies

  Audience, audience studies, Darren Waldron, Decoding, eye-tracking, film scholarship, film spectator, film spectators, film spectatorship, film studies, film text, Films, interpretation, Martin Barker, mass media, media studies, methodologies, Motion pictures, movies, Qualitative Methodology, Reception, reception studies, Sense-making

• An Encoding-Decoding-Recoding Model of Media Studies

  

  This blog posts continues the dissection of my dissertation that I began by introducing the topic of gendered media engagings earlier this year. This post focuses on a model I used in my dissertation to understand the array of media studies conducted to investigate the ways in which gender is involved in how people engage […]

  CarrieLynn D. Reinhard

  July 21, 2014

  Audience/Reception Studies, Critical/Cultural Studies

  application, appropriation, Audience, bedroom studies, Brenda Dervin, Brown, creation, critical studies, Cultural Studies, Decoding, Encoding, encoding/decoding model, femininity, film studies, gender, gendered media engagings, ideology, interpretation, masculinity, Media, media effects, Media engaging, Media products, media studies, media texts, messages, Mulvey, perception, reception studies, Recoding, Sense-making, Sense-Making Methodology, spectatorship, Staiger, Steele, Stuart Hall, Uses and Gratifications