Author: CarrieLynn D. Reinhard
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My Philosophy of Media Reception Studies
Along with my thoughts on the encoding-decoding-recoding model, what follows comes from my dissertation on gendered media engagings and describes how I consider the fundamental elements of media reception and audience studies. What are media products? Media products are the technologies, channels and contents that constitute our understanding of what is ‘the media’. They are…
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Oldboy: A case study in intercultural adaptation theory
Christopher J. Olson makes a compelling argument for how adaptation theory needs to take into account different cultural contexts when texts are adapted from one culture into another. His analysis of the three primary versions of the Oldboy text serve to illustrate his call for an intercultural adaptation theory. Read all about it in: Oldboy:…
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Amityville II: The Possession and Incest
So…this movie. The Amityville Horror (1979) has had a long lasting cultural impact, spawning a remake in 2005 and numerous sequels, prequels, sidequels, TV references, and more. Based on a true story, and another example of a supernatural occurrence investigated by the Warrens (of The Conjuring fame), the original film focuses on a family where…
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The Convergent Nature of Professional Wrestling
UPDATED: Submissions Due Wednesday, September 24th Earlier this year, I wrote about my experience meeting Mick Foley, my new found interest in professional wrestling, and my initial academic thoughts on professional wrestling and Worldwide Wrestling Entertainment in particular. Since that time, I signed up for the WWE Network, the new online-only initiative recently launched by…
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The Humanity in the Planet of the Apes
I remember coming to the Planet of the Apes not through the original movies but through other cultural products. There was the musical rendition on The Simpsons. There was the end of the neighborhood in Spaceballs. And I am sure there were others. I was, after all, not born when the series started, and given…
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Blackwater Valley Exorcism: Equating Demonic Possession with Sexual Assault
When The Exorcist (1973) was first released, it spawned numerous foreign rip-offs and B-movie exploitative versions. From Şeytan (1974) in Turkey to the reworking of the Italian film ‘Lisa e il diavolo’ (1974/1975)into The House of Exorcism, foreign producers created their own takes on the story of young women being possessed, with more or less…
![[REC]2: When Possession Becomes Infectious](https://playingwithresearch.com/wp-content/uploads/2014/08/6a00e54ee7b6428833015433923575970c-500wi.jpg?w=500)

