Author: CarrieLynn D. Reinhard
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Gendering Robots 2005 Research Proposal
Recently, the question of how we attribute gender to asexual entities like robots and AI has been something I have been pondering more and more. How we understand engage with entities like Alexa from Amazon, Siri from Apple, and Cortana from Microsoft is fascinating, as well as how we think about robots like BB-8 or…
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Call for Contributors: Jazz Age Pop Culture
The Lost Generation: An Encyclopedia Editors: Bob Batchelor and Kathleen M. Turner The Lost Generation: An Encyclopedia (Rowman & Littlefield) brings to life the Jazz Age and the artists, writers, and influential figures that made it one of the nation’s most interesting and compelling periods. Since commentators often use the Lost Generation in comparison with…
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The Pop Culture Lens on Wes Anderson
In the twenty-first episode of The Pop Culture Lens podcast, Christopher and I welcome friend of the podcast Shane Tilton, an assistant professor of multimedia journalism at Ohio Northern University, to discuss filmmaker Wes Anderson by focusing on his films Rushmore and Moonrise Kingdom. In this episode, our conversation focuses on whether or not to…
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Online Learning Communities with a Dominican Flair
Online Learning Communities with a Dominican Flair: Arguing for applying the Dominican ethos to online higher education CarrieLynn D. Reinhard and Claire Noonan (Dominican University) Introduction It seems that everywhere one looks in the world of contemporary higher education, someone is making an argument for the elimination of faculty in favor of technology as the…
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The Pop Culture Lens on Deltron 3030
I grew up in rural Northeastern Wisconsin. On a golf course. Country music was played in our high school gym’s fitness center. Tractors would sometimes keep you from moving at good speed on county roads. Winters were not the only thing smothered in white. I grew up at the time when hip-hop and rap cultures…
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Three Approaches to Media Reception and Audience Reception Studies
This paper was part of my 2007 comp exams, or qualification exams, that I needed to complete before being allowed to do my dissertation. This paper basically serves as the backbone for how I understand reception studies and how I do such research. In this paper I will discuss three approaches to understanding audience reception…
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Making Sense of Cinema Anthology
Edited by Christopher Olson (Seems Obvious to Me) and myself, Bloomsbury Academic will release Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship on February 25, 2016. Making Sense of Cinema is an anthology collecting empirical studies that display different methods for studying real film spectators engaging with real films. Film studies has…
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The Possession and the Traditional Exorcism Narrative
This analysis presents an example of how we are analyzing the films of the exorcism cinema subgenre for how they reflect the traditional exorcism narrative, which you can read more about here and here. This analysis is based on the notes we took while watching the film, which are given here. The 2012 film The…
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Professional Wrestling, Smarks, and Convergent Media
As part of the project on understanding professional wrestling through the theoretical lens of convergence (i.e. convergent wrestling), I recently wrote out an explanation for how Christopher Olson (Seems Obvious to Me) and I see this concept of convergence being able to describe various aspects of professional wrestling. Now, being that we are academics, one…
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Convergent Wrestling: The Nature of Professional Wrestling
Professional wrestling has been criticized for its emphasis on the fiction of its entertainment rather than the reality of its sport. My partner, Christopher Olson (Seems Obvious to Me), and I argue that professional wrestling functions as a convergent media product, representing a vital text for examining the media landscape of the 21st century. The…
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